Descarga A29 - Latin Jazz Jam Lab

Descarga A29

Nicolás Cristancho -Yurgaki- is part of the new Colombian music movement.
Composer and multi-instrumentalist, specialized in jazz and Afro-Caribbean music. Sound designer for theater and performing arts. Explores the traditional sounds of the Colombian coasts and Cuban music.

Nicolás first came into contact with music when his mother, the percussionist Bertha Quintero, rehearsed at home with the salsa orchestra she led when he was very young. In 1999, he went to Cuba to study sight-reading and composition with teachers Elvira Fuentes and Tulio Peramo. He obtained a double degree in jazz piano at the Universidad Javeriana in Bogotá, Colombia, and at the Escuela Superior de Música de Catauña, Spain, where he reconnected with his father, who was also a musician – Macabí.

Founder and leader of the music group Yurgaki, he has adopted various formats such as duo, trio, quartet, quintet, and band.
Nicolás Yurgaki bears the surname of his great-grandfather, a Lebanese-Syrian immigrant who came to the coasts of the North Pacific in Colombia at the beginning of the 20th century because of the gold and platinum fever.

Yurgaki’s music blends sounds from the Colombian Caribbean and the Pacific with contemporary and urban expressions from other countries, taking jazz language to search for a common sound, bringing together music from different origins trying to be aware of the dynamic process of cultural identities.

His music has a personal stamp that expresses a multicultural richness, as can be heard in his productions: “Tres Nuevas formas de Respirar Bajo el Agua” and “Pacífico”.

Nicolas, who lives in Germany, is co-founder of the theater collective Cistifellea together with director and set designer Elena Tilli, where he works as a sound designer, performer, and author. His practice of improvisation and his emphatic approach during the process offer unique possibilities.
He loves to play with what audience participation can offer to sound by developing specific tools for interaction and building customized instruments on a small scale. Nicolas allows himself a full-scale exploration that together with his wide versatility as a musician and composer, opens up a high level of complexity that translates into a beautiful, inspiring, and sometimes provocative experience for the public.

Conferences

2025

28.03 – 16.00 – La Presencia del Sonido de Colombia en Europa // The influence of Kolumbien’s sound in Europe // Reflexiones sobre musica y migración en España y Alemania // Considerations about music and migration in Spain and Germany // Allianza Franzesa Barranquilla, Colombia

2024

19.03 –  Icesi University Cali, Colombia

21.03 – Instituto Popular de Cultura Cali, Colombia

 

Shows

2025

28.03 – 18.00 – Allianza Franzesa Barranquilla, Colombia

2024

31.08 – Hafenspaziergang Dortmund, Germany

07.09 –  Viva Fest, Dietrich König Haus, Dortmund, Germany 

19.03 –  Icesi University Cali, Colombia

21.03 – Instituto Popular de Cultura Cali, Colombia

07.03 – El Fantasma Bogotá, Colombia

15.03 – El Fantasma Bogotá, Colombia

19.03 – El Fantasma Bogotá, Colombia

21.06 – Speicher 100 Dortmund, Germany 

 

2023

14.01 – El Finestral Cali, Colombia

15.01 – Sonora Cali, Colombia

16.06 – Theater im Depot Dortmund, Germany

17.06 – Theater im Depot Dortmund, Germany

23.08 – U Sbarrazu Rogliano, France

09.10 – Domicil Dortmund, Germany 

 

Yurgaki - Tres Nuevas Formas de Respirar Bajo El Agua

Yurgaki - Tres Nuevas Formas de Respirar Bajo El Agua

WORKSHOP and PEDAGOGY

I believe teaching is an interchange with the aim to build tools with the students and allow them to communicate and augment their artistic intentions throughout a deep and rigorous work of research. To give them space and support for developing their own artistic personality, not just throughout the training of diverse techniques of playing instruments and writing music, but also through self-questioning.
I teach piano interpretation, composition, harmony, and body music.
Here are some examples of my work with body Percussion, Pacific Colombian Music, and other Pedagogical materials.

COMPOSITION and ARRANGEMENT

Living in Europe since 2009, I worked in Spain, France, Italy, and Germany, as a composer, music producer, and arranger collaborating with artists linked to traditional Latin American music. I helped to open new possibilities for innovative sounds, with different groups and artists such as La Gozadera, Nega Lucas, Camdombre Tierra, Chonta Dura, and Sones de Marimba.

FILM and SOUND DESIGN

In recent years I have began interdisciplinary collaborations with artists in the environments of dance, theater, video, and film.
This has given me the opportunity to explore a new dimension of creative work in which I am interested continuing to deepen and for which I am in permanent look for collaborations.

In 2020 I co-founded the Cistifellea Collective, together with director and media artist Elena Tilli where I actively participate as sound designer and live musician in the performances we create. With Cistifellea I designed work such as Asuntos Humanos (2021), El Silencio No Existe (2020), and Agresion y Dignidad (2022). The work is been presented in Barcelona in public theaters